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Artist Artist MOREY JOS RIOS Loreto, Iquitos natural - Peregresado School of Fine Arts in Iquitos Pea Victor Morey has done many exhibitions locally, nationally and internationally and eight solo Through his short but fructfera work in the field of plastic arts. Graduated the year 1992 has been developing art workshops in the school of our city as a teacher. His work was initially based on use of language to express the view Linear selvtico mostly with themes of flora and fauna, reaching...
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Artist Artist MOREY JOS RIOS Loreto, Iquitos natural - Peregresado School of Fine Arts in Iquitos Pea Victor Morey has done many exhibitions locally, nationally and internationally and eight solo Through his short but fructfera work in the field of plastic arts. Graduated the year 1992 has been developing art workshops in the school of our city as a teacher. His work was initially based on use of language to express the view Linear selvtico mostly with themes of flora and fauna, reaching proposal to establish a modern and pioneering geometric interpretation of trends within contemporary artists neo locale. The pictorial technique includes the traditional materials read on canvas applied with brush, geometrized forms and shapes, that after his first solo steps away a bit of regional issues amaznicos, to cover a comunicacinms wide, to universalize his art travs conventional geometric shapes squares, cubes, circles, spheres, triangles, polyhedra, etc .- have also the same as a conventional language itself ylneas points as independent. In 1998 he won an Honorable Mention in the First National Biennial of Lima - Peren regional qualifying stage, which leads him to exhibit in the city of Lima that same year, with outstanding national and international artists invited to do so event. In 2001, when he attended the Complementacin s academic UNAP arises in a match between the artist and information on the antiquity of the people of America in an anthropology class in which the texts respondents talk about research in the area amaznica of Brazil, where pictorial artistic remains discovered in caves and rock paintings, stone arrowheads ago, ten to twelve thousand years of antiquity. This knowledge motivates and stimulates the search for a way or how to interpret these facts to travs of painting, time of the encounter with the natural material used as llanchama material, which is the top surface armata Poulsenia tree, variety amaznica belonging to the family of the Morea, and abounds in Peruvian departments of Amazonas, Huanuco, Loreto, Madre de Dios, San Martn Ucayali. The fruits of this variety are similar to figs. This is native cloth sail and used by people from different ethnic groups since time immemorial, dressing, sleeping on them or covered, making ornaments and decorative painting body as headbands, bracelets and anklets. This fabric is located between the wood and bark of the tree, like a shirt sleeve, which then detach with gentle strokes are cut off the stem and dried for domestic use. JosMorey painted with oil paintings on the web natural advantage of the wide variety of textures that show, whose lines simple, compound or interrupted offer a thousand and one ways that have been printed on the fabric, the bark of these trees, as if they were carved by time stamps on these natural elements, but living inmviles. The shapes of the texture that Morey llanchama get to color, give way to the pictorial work, this texture is used in addition to his designs. These designs include in its incredible variety, may be a reflection of a pre-established unique and original composition. Iquitos - Peru 2007

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